Etiqueta de registo: 00230nam 2200025 450
001 1794194
003 http://id.bnportugal.gov.pt/bib/catbnp/1794194
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100 ## $a20111111d2010 m c0pory0103 ba
101 1# $apor$afre$aeng
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200 1# $a˜La œligne volage$d˜The œwayward line$eEdgar Martins$fcoord. Sérgio Mah, Fátima Gil$gtexto Sérgio Mah... [et al.]$gtrad. Ana de Carvalho... [et al.]$grev. António Alves Martins$zeng
210 #9 $aParis$cCentre Culturel Calouste Gulbenkian,$d2010
215 ## $a180 p.$cmuito il.$d25 cm
305 ## $aEd. trilingue em português, francês e inglês
320 ## $aBibliografia, p. 175-179
510 1# $a˜The œwayward line$zeng
675 ## $a77Martins, Edgar(083.82)$vBN$zpor$31377336
675 ## $a77.041.5(=1:469)"20"(083.82)$vBN$zpor$31295944
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702 #1 $aMartins,$bAntónio Alves,$f1953-$4675$379896
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Etiqueta de registo: 00000nam 2200025 450
001 1881955
003 http://id.bnportugal.gov.pt/bib/catbnp/1881955
010 ## $a978-972-635-284-6
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200 1# $aEdgar Martins$e˜a œimpossibilidade poética de conter o infinito = the poetic impossibility to manage the infinite$fcoord. Leonor Nazaré, Patrícia Rosas$gtexto Leonor Nazaré$gtrad. Kennistranslations$zeng
210 #9 $a[Lisboa]$cCAM - Fundação Calouste Gulbenkian,$d2014
215 ## $a15, [1] p.$cil.$d23 cm
225 2# $aCaderno do CAM
305 ## $aEd. bilingue em português e inglês
510 1# $aEdgar Martins$e˜the œpoetic impossibility to manage the infinite$zeng
675 ## $a7.038.5Martins, Edgar(083.82)$vBN$zpor$31584300
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712 02 $aKennis Translations$4730$31443683
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Etiqueta de registo: 00230nam 2200025 450
001 1694560
003 http://id.bnportugal.gov.pt/bib/catbnp/1694560
010 ## $a972-99860-2-9
021 ## $aPT$b248222/06
100 ## $a20081024d2006 m y0pory0103 ba
101 0# $apor$aeng
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200 1# $aAproximações$fEdgar Martins
210 #9 $aLisboa$cANA - Aeroportos de Portugal,$d2006
215 ## $a105, [13] p.$cil.$d27 x 31 cm
305 ## $aEd. bilingue, em português e inglês
675 ## $a77.04$vBN$zpor$3291537
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Etiqueta de registo: 00000nam 2200025 450
001 1996626
003 http://id.bnportugal.gov.pt/bib/catbnp/1996626
010 ## $a978-989-8474-43-8$bA Oficina)
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200 1# $aDestinerrância$e˜o œlugar do morto é o lugar da fotografia$dDestinerrance$e˜the œplace of the dead is the place of photography$fEdgar Martins$gtextos Nuno Faria, Roger Luckhurst, Edgar Martins$gtrad. Martin Dale, Miguel Moore$gfot. Vasco Célio, Ricardo Nascimento$zeng
210 #9 $a[S.l.]$cA Oficina$cDocumenta,$dD.L. 2017
215 ## $a264 p.$cil.$d24 cm
305 ## $aEd. bilingue em português e inglês
510 1# $aDestinerrance$e˜the œplace of the dead is the place of photography$zeng
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675 ## $a7.038.5Martins, Edgar(083.82)$vBN$zpor$31584300
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702 #1 $aMoore,$bMiguel$4730$31147041
702 #1 $aCélio,$bVasco,$f1975-$4600$31300209
702 #1 $92$aNascimento,$bRicardo$4730$31592909
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Etiqueta de registo: 00000nam 2200025 450
001 2060225
003 http://id.bnportugal.gov.pt/bib/catbnp/2060225
010 ## $a978-0-9569085-4-4
021 ## $aPT$b474816/20
100 ## $a20201123d2020 m y0pory01030103ba
101 0# $aeng
102 ## $aPT
105 ## $aa z 000yy
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200 1# $aWhat photography has in common with an empty vase
210 #9 $a[S.l.]$cThe Moth House,$dD.L. 2020
215 ## $a1 v.$cil.$d22 cm$e[2] f. desdobr
312 ## $aTít. da capa: What incarceration has in common with an empty vase
512 1# $aWhat incarceration has in common with an empty vase
675 ## $a77Martins, Edgar$vBN$zpor$31377338
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700 #1 $aMartins,$bEdgar$31348333
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